Sarah Davachi (b. 1987, Canada) is a composer and performer whose work is concerned with the close intricacies of timbral and temporal space, utilizing extended durations and considered harmonic structures that emphasize gradual variations in texture, overtone complexity, psychoacoustic phenomena, and tuning and intonation.  Her compositions span solo, chamber ensemble, and acousmatic formats, incorporating a wide range of acoustic and electronic instrumentation.  Similarly informed by minimalist and longform tenets, early music concepts of form and harmony, as well as experimental production practices of the studio environment, in her sound is an intimate and patient experience that lessens perceptions of the familiar and the distant.